Most songs from both albums are much more highly regarded in live performances, and indeed, 1977 in particular is regarded as one of the bands golden ages in live performance, with several candidates for Best Show Ever appearing that year. The previous years Terrapin Station, which also had some disco influence, is more warmly regarded, though still considered a flawed effort. Fans generally dont speak too highly of 1978s disco-influenced Shakedown Street, which is a borderline case of Fanon Discontinuity.Phillips would later joke that every time a royalty check for the song came in, he would regain a little of his memory of writing it. The Dead apparently learned it from Curly Jim Cook. Phillips didnt even remember writing it, as he had been incredibly inebriated at the time the first commercial recording of the song was by Judy Collins, who had recorded Phillips making it up on the spot and then recorded her own performance. Also notable is Me and My Uncle, written by John Phillips of The Mamas & the Papas. Morning Dew, in a rare case of a song being Covered Up by two separate artists, was also performed by Jeff Beck on Truth (with Rod Stewart on vocals!), though it probably doesnt help the fame of Dobsons version that she didnt record a studio version until 1969, by which point Beck and the Dead had both already recorded theirs. Covered Up: A lot of listeners probably know songs like Not Fade Away, Mama Tried, Morning Dew, and Turn On Your Love Light better from the Grateful Deads live cover versions than they know them from the original artists (in these four cases, Buddy Holly, Merle Haggard, Bonnie Dobson, and Bobby Bland, respectively).Live performances of the song from the same era are still well loved, probably because the jamming that Deadheads love is still present then. The bands discofied single version of Martha Reeves and the Vandellas ∽ancin in the Streets.TC and Vince Welnick aren't mentioned as often, but even they have their fans. Sometimes Bruce Hornsby is added to the list for balancing his already-established solo style with the greater Dead sound. Brent fans hail him as a point of consistent creativity who crafted a unique sound with his innovative Hammond organ playing, and also enjoy his songwriting and singing touches in the discography. Keith fans enjoy his creative playing style (especially pre-hiatus), and credit him with pushing the Dead's jams to interesting new territories and helping the Dead recover from Pigpen's decline. Pigpen fans praise his personality and charisma, and enjoy the blues touch he brought to the Dead's early sound.
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They rarely get as heated as a lot of other Internet arguments, but almost every release in their canon has its defenders and its detractors, and youll also find disagreements about which band members were best in which positions in the band, when they were at their best, and even which songs were best in which performances.
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Paul Buckmasters ( Elton John, amongst others) string arrangements on Terrapin Station.